Chinese
traditional furniture has a strong aesthetic appeal due
to its apparently simple lines and the fact that it makes
use of "natural materials" such as the finest
hardwoods-no fusty stuffed couches here. Ready comparisons
can be made to Danish furniture, with its sparse lines.
With
Chinese furniture, you see what you get. Nothing is
hidden, and the wood is polished, stained or lacquered
to evoke its natural earthiness and grainy patterns.
Despite the appeal of this simplicity, scholars of
Chinese taste inform us that in many cases, those minimalist
chairs and side tables were draped in sumptuous brocades
and embroideries, as their Chinese ownerS in dayS of
yore had a strong distaste for whatever was plain and
simple. And thus to some degree, modern connoisseurs
have mistakenly assumed that they are the inheritors
of the refined taste of the classical Chinese scholar.
Chinese furniture uses a number of types of wood that
are only known by their is that some types of wood have
several Chinese names, and the same Chinese name can
be applied to several types of wood.
The two most valued types of wood are huali and zitan.
The former is a tropical hardwood that grows in China,
and has a wide range of colors. In its lighter variations,
it is called huang (yellow) huali, and in its darker
manifestations, lao (old) huali.
Zitan,
with its purplish brown color, can be considered the
most precious type of timber, and its expense and rarity
are related to the fact that it was imported. More common
timber types are oak, elm, maple, chestnut, poplar,
birch, hongmu and nanmu.
No
one knows why the Chinese gave up their habit of sitting
on mats and begin sitting on chairs around the year
1000, during the Song dynasty. But early literary evidence
suggests that the chair and the bed were clearly recognized
as foreign inventions. Archaeological excavations have
produced many examples of wooden furniture from the
Song (960-1279), but the real heyday of furniture making,
and the period that provides us with most of the examples
found in museums and private collections today, is the
16th to 19th century, from the late Ming to the late
Qing dynasty.
The
fact that most early chairs come in sets of two suggests
that Chinese furniture was customarily arranged symmetrically
in rooms, but there is little evidence to back this
up. Here again, the Western mind seems to want to impose
order where no order was originally intended.
Curios markets in Beijing and Shanghai offer rich pickings
in Chinese furniture.
The
price of Chinese furniture has rocketed in the past
few years, most markedly in 1985-6. The market has settled
somewhat since then, but prices remain high and fine
pieces are naturally harder to find than before. Yet
as it is true with any category of fine goods, "what
is cheap is not cheap, and what is expensive is not
expensive."
To become acquainted with Chinese furniture, one could
start by collecting boxes in a variety of types of wood,
and move on to bigger pieces. Or if you want to enter
the world of Chinese furniture in style, acquire a walk-in
bed and sleep in your collection.
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