The
novel A Dream of Red Mansions was written 200 years ago.
During the last 200 years it conquered countless readers.
A Dream of Red Mansions is the peak of ancient Chinese
novel. It is also a well£known masterpiece in the world
of literature.
The author Cao
Xueqin lived through the reigns of Emperors Kangxi,
Yongzheng and Qianlong of the Qing
Dynasty. At first his family was favoured by the
emperor. But later his house was confiscated and his
family sank to the rock bottom of the society. Cao Xueqin
too turned from a noble scion to an impoverished youth.
In his old age he was so poor that the whole family
had to live on thin gruel. In the drastic change he
experienced the ups and downs in the snobbish world
and observed the sharp conflicts between the rich and
the poor. He clearly understood the degenerating quality
of his feudal aristocratic family. He wrote this immortal
novel in the dire straits. Unfortunately he died in
poverty and illness before he finished his work. He
was still in his forties then.
The novel originally entitled The Story of the Stone,
also known as A Dream of Red Mansions, has 80 chapters
finished. The rest 40 chapters are believed to have
been added by Gao E.
An outstanding achievement of A Dream of Red Mansions
is that it successfully presents a heart£stirring tragedy,
a tragedy of the society, of the time and of human life.
A good part of the novel was assigned to the description
of the daily depletion of Family
Jia and the final bankruptcy of the influential family
that had enjoyed a hundred years' prosperity. This symbolised
the decline of the feudal society.
Cao Xueqin devotes all his feelings to a number of
trampled and destroyed young women whom he admired.
Neither daughters of influential families nor maid£servants
nor actresses from low origins escaped their tragical
fate. The destruction of the beautiful invested the
whole book with a grace of tragic.
Since Jia Baoyu's birth his family arranged him a
path to wealth and fame. But his special life experience
turned him into a rebel of the feudal family. The genuine
love between him and Daiyu was opposed by his family.
At last he chose to go to a monastery.
Daiyu was intelligent and gifted. She showed contempt
to vulgar feudal scholars and denounced the hypocrisy
of those who sought fame by way of writing stereotyped
essays. She pursued Baoyu's genuine love, but she died
in grief.
Baochai observed the feudal moral code. To win her
parents' favour and to ensure the family's interests,
she was forced by Jia's mother and Lady Wang into marrying
Baoyu. But she did not win love. She became a victim
of the arranged marriage.
The tragical marriage among Baoyu, Daiyu and Baochai
is the main thread of the whole novel. Their love story
has moved every reader.
The greatest achievement of the novel lies in its
convincing and vivid characterisation. Of the more than
four hundred persons depicted in the novel, at least
forty are highly individualised. Under Cao Xueqin's
pen those persons not only have their special looks,
but their voices and emotions. The subtle mentality
of the characters leaves indelible impression in the
reader's mind.
Take Wang Xifeng. She is greedy, vicious and unscrupulous.
But at the same time she is witty, capable, humorous
and sometimes even reasonable. The description of her
different aspects makes her an all£round image that
arouses complicated feelings towards her in the reader.
The readers hate her and curse her, but they miss her
if she is absent.
Jia's mother is the paramount authority in Family
Jia. She is usually kind, tolerative and humorous. But
on matters concerning the feudal moral code and the
destiny of the whole family, she will go to great lengths
to interfere with any affair depending on her authority
and power. She is a supreme ruler who sticks to feudal
rituals and concerns herself with the family's fate.
The novel is noted for its strong poetic tone. It
is its most enchanting part.
Poems and songs in the novel are not only numerous,
but are of fine quality. The Song of the Dream of Red
Mansions, On Willow Flakes, Burying Flowers and other
poems make the whole story overwhelmingly poetic.
One is an immortal flower of fairyland
The other fair flawless jade
And were it not predestined
Why should they met again in this existence
Yet, if predestined
Why does their love come to nothing
In the Grand View Garden take place many picturesque
episodes. "Baochai swatting at butterflies",
"Xiangyun lies drunk on the peony cushion",
"Daiyu burying flowers" and so on leave deep
impression on the reader.
Men laugh at my folly in burying fallen flowers
But who will bury me when dead I lie
See, when spring draws to a close and flowers fall
This is the season when beauty must ebb and fade
The day that spring takes wing and beauty fades
Who will care for the fallen blossom or dead maid
Cao Xueqin completed a masterpiece with the painstaking
labour of all his lifetime and left after him a lasting
reverberation in the mind of his posterity.
Pages full of fantastic talk
Penned with bitter tears
All men call the author mad
None his message hears
|